F Dorian, Fiddle Side

7 notes to the octave, mapped below onto this reader's GDAE fingerboard, with every F called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Minor with a raised 6th (natural 6) — soulful, smooth, and less dark than natural minor. The quintessential jazz-minor and blues mode.

Heard in: "So What" (Miles Davis), "Oye Como Va" (Santana), "Eleanor Rigby" (Beatles) — rock, blues, funk, jazz.

This reader plays almost nothing the chart actually wrote: the numbers give the harmony and the line over the top of them is assembled, bar by bar, out of the notes on this page.

Play it slowly against the audio until the position stops being a position, then take it to a chart counted in F and let the numbers pick their own notes out of it.