B Minor Pentatonic, Fiddle Side

5 notes to the octave, mapped below onto this reader's GDAE fingerboard, with every B called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Gritty, bluesy, and direct — five notes with no half steps, so each one lands with attitude over a minor or dominant chord. The sound of rock and blues lead playing.

Heard in: Blues, rock, hard rock, metal, funk, and soul solos — the first scale most lead players learn and the one they never leave.

This reader plays almost nothing the chart actually wrote: the numbers give the harmony and the line over the top of them is assembled, bar by bar, out of the notes on this page.

Play it slowly against the audio until the position stops being a position, then take it to a chart counted in B and let the numbers pick their own notes out of it.