F# Dorian, Resonator Side

7 notes to the octave, mapped below onto this reader's GBDGBD neck, with every F# called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Minor with a raised 6th (natural 6) — soulful, smooth, and less dark than natural minor. The quintessential jazz-minor and blues mode.

Heard in: "So What" (Miles Davis), "Oye Como Va" (Santana), "Eleanor Rigby" (Beatles) — rock, blues, funk, jazz.

The open tuning gives three of these notes for free; the rest are reached by moving the bar, which is why a player looks at where the scale lies rather than which grips it contains.

Play it slowly against the audio until the shape stops being a shape, then take it to a chart counted in F# and let the numbers pick their own notes out of it.