C as a Nashville Chart Sees It
Seven numbers, seven chords, and the three that carry a mark.
Count off in C and the seven numbers name C, D, E, F, G, A, B — in that order, every time, on a page that never mentions C anywhere.
Three of those need a mark and four do not. A bare number is a MAJOR chord, so 2-, 3-, 6-, 7- are what a chart writes when it wants the chord the key would have supplied anyway; a bare 2 means the writer wanted something else and meant it.
A resonator player reads a number as a place to stop the bar — the strings are already a chord, so what the digit changes is not the grip but where along the neck the bar has to be sitting when the bar of music starts. The open strings already spell a chord, so a number is answered with a position rather than a grip, and the whole reading job is arriving at the right one square on the beat.