C Mixolydian, Piano Side

7 notes to the octave, lit below across two octaves of this reader's keyboard, with every key numbered by where it sits in the scale. The numbers are the useful part mid-bar: a chart moves under you, and the thing you need is which degree is still under the hand — not where the run started.

Major with a flatted 7th (b7) — bright and bluesy. The dominant chord turned into a tonal center with a rock/folk edge.

Heard in: "Sweet Home Chicago", "Norwegian Wood" (Beatles), Celtic and folk music — anywhere a major sound needs a darker, looser edge.

The right hand takes the fill and the left keeps the written number sounding under it, so a piano reader hears every note of the scale against the chord the chart called rather than in place of it.

Run it hands together until the window stops being a pattern, then take it to a chart counted in C and let the numbers pick their own notes out of it.