A Gypsy Major, E9 Pedal Steel Side

7 notes to the octave, mapped below onto this reader's E9 neck, with every A called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Brash and colorful — a #2 crushed against the major 3rd and a #4 give it a Lydian-dominant swagger with a Romani twist. Bold, spicy, and unpredictable.

Heard in: Hungarian and Romani folk, Bartok and Liszt, gypsy-jazz flourishes, and fusion lines over dominant chords.

Between two numbers the bar comes to rest and the pedals keep working: a pedal or lever raises a ringing string into the next note of a line, so a scale here marks where the bar can stop and which of its notes a bend can reach from there.

Play it slowly against the audio until the bar position stops being a bar position, then take it to a chart counted in A and let the numbers pick their own notes out of it.