G# Gypsy Minor, C6 Pedal Steel Side

7 notes to the octave, mapped below onto this reader's C6 neck, with every G# called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Harmonic minor with a raised 4th — two wide, yearning steps (b3 to #4, b6 to 7) give it a smoldering, theatrical intensity. Dark, exotic, and full of drama.

Heard in: Hungarian and Romani folk, Liszt's Hungarian Rhapsodies, gypsy jazz, klezmer, and neoclassical metal.

Between two numbers the bar comes to rest and the pedals keep working: a pedal or lever raises a ringing string into the next note of a line, so a scale here marks where the bar can stop and which of its notes a bend can reach from there.

Play it slowly against the audio until the bar position stops being a bar position, then take it to a chart counted in G# and let the numbers pick their own notes out of it.