D# Mixolydian, C6 Pedal Steel Side

7 notes to the octave, mapped below onto this reader's C6 neck, with every D# called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Major with a flatted 7th (b7) — bright and bluesy. The dominant chord turned into a tonal center with a rock/folk edge.

Heard in: "Sweet Home Chicago", "Norwegian Wood" (Beatles), Celtic and folk music — anywhere a major sound needs a darker, looser edge.

Between two numbers the bar comes to rest and the pedals keep working: a pedal or lever raises a ringing string into the next note of a line, so a scale here marks where the bar can stop and which of its notes a bend can reach from there.

Play it slowly against the audio until the bar position stops being a bar position, then take it to a chart counted in D# and let the numbers pick their own notes out of it.