D# Dorian, C6 Pedal Steel Side

7 notes to the octave, mapped below onto this reader's C6 neck, with every D# called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Minor with a raised 6th (natural 6) — soulful, smooth, and less dark than natural minor. The quintessential jazz-minor and blues mode.

Heard in: "So What" (Miles Davis), "Oye Como Va" (Santana), "Eleanor Rigby" (Beatles) — rock, blues, funk, jazz.

Between two numbers the bar comes to rest and the pedals keep working: a pedal or lever raises a ringing string into the next note of a line, so a scale here marks where the bar can stop and which of its notes a bend can reach from there.

Play it slowly against the audio until the bar position stops being a bar position, then take it to a chart counted in D# and let the numbers pick their own notes out of it.