C# Spanish, Lap Steel Side

7 notes to the octave, mapped below onto this reader's CEGACE neck, with every C# called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Fiery and exotic — the b2 presses against the root while the major 3rd keeps it from sounding plainly minor. Flamenco heat with a Middle-Eastern edge: dramatic, urgent, and passionate.

Heard in: Flamenco and Spanish classical guitar, klezmer and "Hava Nagila", Arabic and Jewish liturgical music, metal riffs, and the V chord of harmonic minor.

With a bar instead of fingers, a scale is a set of stopping places rather than a set of grips, and the slide between two of them is as much of the line as either end.

Play it slowly against the audio until the shape stops being a shape, then take it to a chart counted in C# and let the numbers pick their own notes out of it.