B Gypsy Minor, Lap Steel Side

7 notes to the octave, mapped below onto this reader's CEGACE neck, with every B called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Harmonic minor with a raised 4th — two wide, yearning steps (b3 to #4, b6 to 7) give it a smoldering, theatrical intensity. Dark, exotic, and full of drama.

Heard in: Hungarian and Romani folk, Liszt's Hungarian Rhapsodies, gypsy jazz, klezmer, and neoclassical metal.

With a bar instead of fingers, a scale is a set of stopping places rather than a set of grips, and the slide between two of them is as much of the line as either end.

Play it slowly against the audio until the shape stops being a shape, then take it to a chart counted in B and let the numbers pick their own notes out of it.