F# Rock 'n' Roll, Guitar Side

6 notes to the octave, mapped below onto this reader's EADGBE fretboard, with every F# called out. Those markers are the useful part mid-bar: a chart moves under you, and the thing you need is where the root went — not where the pattern started.

Major pentatonic with a b3 rubbed against the natural 3 — bright and bouncy with a bluesy smirk. Playful, swinging, and built for boogie riffs.

Heard in: Fifties rock, rockabilly, boogie-woogie, Chuck Berry-style riffs, and jump blues.

A chart names the chords and says nothing whatever about the notes between them, so everything a guitarist plays that is not a written chord comes out of a scale that the numbers only imply.

Play it slowly against the audio until the shape stops being a shape, then take it to a chart counted in F# and let the numbers pick their own notes out of it.